Reluctant Poster Art--I'm Feeling Rich (II)

The Taiwan Impression Poster Exhibition invited exhibitors to participate in the "Chinese Characters" series full of passionate "mountain", "water", "wind", "cloud" majestic people favorite, people feel deeply the mountain's "great shore", the wind The "sudden action without shadow", the "uniqueness" of the cloud, the "quickness of the water", and the yin-yang pulsation of the unity of heaven and earth, which are hidden in nature, can be said to be the most vivid expression of ink and wash. I also use the "big" work for this series of Mr. Nai.

And in the poster “Freedom” series designed for Japanese special paper "free" pattern papers, it is full of Mr. Yan's philosophical thoughts. It's awesome, or it can go on and on, or it can be embarrassing, or free, or eloquent, all fit together. The true meaning of “walking”, “sitting”, “sleeping”, “eating”, “playing”, etc.: Lines are concerned with God's happiness but not between shoes; sitting at speculation is not at the temple market; sleeping is Things I forgot to care about without falling apart from shingles; eating cares about being indifferent and not caring about wine and vegetation; playing cares about freedom and carelessness without losing or winning or losing... its lack of form, presence, and grace make viewers feel great , big straight and big debate. It is the "big brother" boutique that also called Mr.

Actually, “ink and color are not meaningful in themselves. The most important thing is the idea that the creators have given them, and they can use them to convey information.” Mr. Kwong said that the truth and shape are closely related to the creator’s heart and spirit. and also. It is only like Mr. Qi that "a person who comes to the clouds and clearliness. A true Chinese person, an Asian designer who understands brushstrokes, and a person who mingles emotions with tremors" (An Shangxiu Language) can create the realm of such a thing.

5. The rhyme of Tiancheng

“I often play with objects, regardless of past or present, aiming to appreciate, study, possess, and occasionally use it for design, depending on how the compound is intended, and the creative spirit is pointed out.” This is a summary of Mr. Qi’s “plaything” in himself, and “ For the sake of expressing the spirit of creativity, it is the place of God in Mr. Qi's poster creation.

In "The World's 33 People Double Poster Invitational Exhibition", "Courage Breakthrough", "1997 Asia-Pacific Poster Exhibition", "Limited Taipei Design Lecture", "Communication", "Hong Kong Artists' Year Award 1991", "Care for Nature" In many poster works, traditional Chinese artifacts such as stones, rulers, inkstones, and brushstrokes became the main creative elements of the posters. Regardless of their appearance, the strong, mysterious, supreme, cultural, and elegant qualities contained in the posters make the concept appear. The audience felt the different shocks expressed by different poster themes.

In the 33rd Double Poster Invitational Exhibit (1997) poster, there are not only traditional images that Mr. Xi has used - ancient books, but also extremely modern technological symbols - CDs. This two artifacts of the ancient and the present have become symbols of the continuous evolution of ancient and modern information, and have become the symbol of the Taoist thoughts of Taoism in the minds of his father, “One life, one life, two, and all derivative things”.

In the “Asia Pacific Poster Exhibition” poster (1997), the ruler Mr. Zhong became the main body. Five different units, scales, and lengths of the ruler represent five judges with different styles and perspectives. “A lot of feet are different in length and length. There are some differences in elephants' views." In the clean, rigorous, quaint, intriguing, external image of the ruler, it is infused with rational, unique ideas and ideas. In the poster of the lectures in the Central Academy of Arts and Crafts, "Yongfu Cheng" (1992), the same ruler was given another meaning by Mr. Xie, and the other side of the ruler - rules, keeping the old - was refined and broken. - It became a symbol of dilapidation and expressed the ardent hope and encouragement of the younger students that they "don't stick to the rules and be creative." If we say that the rulers in the two posters are the magic wands of the "stones and golds" used by Mr. Qi for different applications of the same type of artifacts, it is better to say that Mr. "has his own heart in his chest."

In the “Communication” poster, “Everything has its own characteristics, but also has its own background, just as each region has a different social development.” As Mr. Xie said, The four blocks of stone not only symbolize the geographical features of the mainland, Taiwan, Hong Kong, and Macau, but also symbolize the homosexuality of the same family. This perfectly natural stone should be a classic example of Mr. Gou’s intentions.

"I love nature, and I like the natural stone, or even a piece of paper, and the natural beauty should represent the natural mind." The use of utensils is based on the love of Mr. Shi for nature. Only the love of nature and utensils, "do not care about the tricks of techniques, the nobleties of artifacts, and the sentiments of objects," can be smoothly carried out to "transformation for the sake of" natural natural.

Author: Ning Han Cham Source: Design Online